Genres
Rock
Styles
Jungle/Drum 'N Bass
Labels
Celestial (4), Polygram (3)
First gaining underground recognition during his high school years
as a guitar player
for the D.C. band Backlash, Hive would eventually jump from playing
hardcore punk to
composing drum and bass hip-hop mixes upon his move to Los Angeles
in 1992. But it
wasn't until 1997 when Hive (also known as Michael Petrie) would
release his first
full-length entitled Working With Sound on his own Mandala Recordings
after five
years of spinning and producing various hip-hop projects in LA.
Not only would this
release sell out the first pressing of 500 copies, but it also
received underground
critical acclaim from both sides of the coast (courtesy of it
smooth jazz tracks layered
with drum, bass and jungle overtones). A major label bidding
war would soon follow in
1998, resulting in a contract with London Recordings. During
that same year, the
apocalyptic sounds of Devious Methods were soon released under
the non-musical
inspirations of the William Coopers conspiracy novel, the Pale
Horse and UFO
propaganda. Accompanied with the messages of a paranoid America
and the dark
side of human nature, the sounds of Hive's second full-length
don't stem to far from
his earlier efforts of jazz, hip-hop and jungle; only this time
we're hit with a fusion of
some of his hardcore punk roots. The most obvious inspirations
from his high school
days are seen off of his single "Ultra Sonic Sound" where he
samples the Bad Brains
classic "Re-Ignition." -- Mike DaRonco
Similar Artists: Fat Jack
Performed Songs By: L. Thomas P. Sanders
1998
Devious Methods
Polygram
1999
Working with Sound
Celestial
1998
Ultrasonic Sound
Polygram
s
1998
Chain of Prophecies
Polygram
s
1999
Nuplanet
Celestial
s
1999
Ultrasonic Sound: Dillinja Remix
Celestial
s
2000
Weapons of Mass Destruction
Celestial
s